We also included recently published data on ammonite genera that appear to have briefly survived into the Paleocene. To investigate the role of geographic distribution in explaining this outcome, we compiled a database of all the occurrences of ammonites and the nautilid genus Eutrephoceras in the last 0.5 m.y. A notable example is the differential extinction of ammonites and survival of nautilids, the two groups of co-occurring, externally shelled cephalopods at the end of the Cretaceous. It was great to be able to do that with Kate.One of the puzzles about the end-Cretaceous extinctions is why some organisms disappeared and others survived. Two women getting to come together, especially in the intimate scenes, being able to choreography that ourselves was a new experience for me. "I think a big part of that is because she's very personable, friendly, and open," Ronan added. "I was like, 'This is our Titanic moment!' and then Kate called. "I had just done a scene with Timothée on the ice, swinging each other around," she said during a presentation. Speaking at TIFF, Ronan revealed that Winslet called her after she filmed a Little Women scene set on a frozen pond, which reminded Ronan of Jack and Rose's iconic scene in Titanic. Both of them totally threw themselves into it physically, which was just wonderful." Ronan got a call from Winslet after a certain scene in Little Women. "And Saoirse had to learn how to play the piano and learn how to do needlepoint and all these things. "So Kate went on those beaches on the South coast of England for weeks and weeks and weeks and got cold and wet and learnt and became incredibly proficient at fossil hunting and knowledgeable," Lee said. For Ammonite, that meant Winslet and Ronan got physically involved with their characters' activities, which they were "really open" to doing. Lee told The Los Angeles Times that he likes doing "a lot of character work" before his films begin shooting. Winslet actually learned how to fossil hunt for the role. "So, the idea of two women actually in a relationship together was just not a thought anybody ever had within society," he added. He was interested in setting the film during a "totally patriarchal" time period, when women were "owned" by their fathers and spouses, and deemed to not have sexual desires or pleasures. "I was very drawn to that period because of this wonderful research into same-sex female relationships of the period that are all very well documented with letters to each other, demonstrating wonderful, life-long, passionate, intense, emotional relationships," Lee, who also helmed God's Own Country, told EWof Ammonite. Like its predecessors, this Francis Lee–directed feature was primed to make its mark on the festival circuit, becoming an official selection for the Cannes, Telluride, and Toronto film festivals this year.ĭirector Francis Lee wanted the story to be in a "totally patriarchal" setting. The film comes from Neon, the same distributor for recent indie marvels including Parasite, Portrait of a Lady on Fire, and I, Tonya. Play icon The triangle icon that indicates to play
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